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Fashion Climbing: A Memoir
Download Ebook Fashion Climbing: A Memoir
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Audible Audiobook
Listening Length: 6 hours and 28 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Penguin Audio
Audible.com Release Date: September 4, 2018
Whispersync for Voice: Ready
Language: English, English
ASIN: B07GXVH79R
Amazon Best Sellers Rank:
Most of us know Bill Cunningham (yes, THAT one; with the camera, the bike, and the denim jacket) from his street-savvy photography and his New York State of Mind notoriety. But, lucky for us, when he died Bill left this memoir in one of the drawers of his many file cabinets. And as he would say, this book is a lulu. I keep turning over rocks trying to find out if he intended this book to be published. I mean -- One assumes that Bill Cunningham would only have to make one phone call to have a juicy book deal. And yet this typed manuscript languished in a drawer; only to be discovered after he passed. So - draw your own conclusions.It's a slim volume full of goodness. It is written in a breezy personal "oh, WAIT for the punchline" style, punctuated by Bill-isms like "It's a dilly!". Best of all, it gives us a deep dive into his earliest days; revealing a lifelong Creative who got anything-but a standing ovation at home. He needed to get out into the world in order to find his tribe; and all that ignited in Manhattan circa 1948 and onward. While we learn about Bill's earliest days in retail, the story quickly transitions into his career as a milliner. A hat guy. His moniker, William J, was a non de plume for a young man whose family would have been scandalized to learn what he was actually doing. But Bill always amassed his own custom-ordered cheering section; whether they were fresh young things who became fabulous mannikins for his creations, and protective grand dames who bought his hats and then brought their friends. The irrepressible "hey kids, let's give a show!" vibe prevails -- I lost track of how many times he moved and moved and moved his studio/storefront -- but each time he managed to create beauty in the midst of creepy/moldy low-rent brownstones, and his career was defined by both epic feasts and dire famines. Decrepit walls were covered -- voila! -- with brocade drapes found in a dumpster and ostrich feathers. (no, really...…) He was famous for carting around his own bed, because he always "lived above the store". Any money he had was always put right back into the business, and lean times found him eating hot dogs at Nedick's. He was a total misfit for the world of retail and manufacturing -- but was a whiz atOne Of A Kind. When the Sixties arrived he realized that hats were going to be a non-issue; so he pivoted to writing for Women's Wear Daily and seemingly taught himself photography. Like Zelig, he seemed to be everywhere before it became Somewhere. He had a storefront in the Hamptons before it was considered anywhere special. When uptown was hip, he was in The Village -- and when downtown was "the place" he was up on Museum Row. He loved theatricality and occasions. The book has a generous handful of his personal scrapbook snapshots, and we see a wide-eyed grinning Bill having Quite The Time.Bill arrived in New York City about 19 years before I did - and I thoroughly loved reading his recollections of Living Large On A Shoestring. Like me, he considered the place to be his personal Shangri La -- a glittering metropolis that could still be decorated on a dimestore budget. He snuck into operas, fashion shows, ateliers, invitation-only galas, and ballrooms. He commented it felt "peculiar" to walk in the FRONT entrance of the Waldorf since he had been sneaking in through the Laundry Door all those years. (smile) When he was low (and even hungry) he could always re-boot by witnessing beauty. Midnight walks past store windows would restore his spirit and launch new ideas.Rarely do we get to hear such granular details of the great expectations of a creative mind. He muses about how he came to prize his originality, and how he stayed faithful to his own best ideas, whether they paid the rent or not.A wonderful book - an amazing man.
Really enjoyed this memoir for a number of reasons. First, the fashion-conscious generation of women that it describes, who wouldn't be caught dead in the wrong outfit, has now pretty well faded away. That generation and the times they lived in deserve to be showcased alongside other movements or moments that characterize the Twentieth Century and the book does that extremely well, from Cunningham's unique, insider's perspective. Finally, as someone who likes to think of herself as "creative," Cunningham's creative drive, the intensity and fearlessness with which he pursued his goals, is inspiring. So are the little tidbits of advice for anyone seeking his or her own creative path which run through the book.
Even before the book was published I had read a brief summary I think in The New York Times and at first was disappointed that the book would not cover up to most recent events in Bill Cunningham's life and the fashion world. But once I read it boy was I glad it didn't because through the very time distance it brings across the past even more intensively.Bill Cunningham's language is a very pleasure to read, and if you have a thing for language, as I do, you'll surely enjoy the sometimes old fashioned words, expressions or idioms he uses. The book is an extraordinary read, I frankly had a hard time to put it aside and as a matter of fact it took me only say three or four days to finish it. What I found most fascinating was how Cunningham described the different eras and what it felt like to live the and there.On a personal side it gives you a very close view into Cunningham's view of the world, how he lived his life, and why he did it the way he did. It complements the picture of him you might have from reading his column in The Times, and from other sources, like news articles and the media.I had the pleasure to run into Bill a few times in New York City - he on his bike on street say a year before he passed, and another time earlier at one of the fashion shows at Lincoln Center. On the latter he was chatting with Isabella Blow when I asked him if I could take a picture - as expected he shook his head and turned the other way.This book is a must for people interested in fashion in general and the wonderful person of Bill Cunningham in particular. Beyond that, it shows you how you can find your own way in life, despite - or even - because of supposed adverse circumstances.I am happy the manuscript was discovered in Bill Cunningham's estate that and his family decided to have it published its a winner for all of us.
I am a huge fan of Bill Cunningham. I started this book with such enthusiasm and the first few chapters were a delight. Indeed, when Bill writes about his youth and his hat-making business, he is totally charming. However, the second part of the book, about going to fashion shows and his views style and taste, seems to belong to an entirely different volume. For students of fashion and fashion shows in the sixties, the second half of the book provides detailed and valuable documentation but, for the rest of us, it’s too much of a good thing. In addition, perhaps it was because I read the Kindle edition, there were not a particularly large number of photographs and I, at least, couldn’t find the captions.
I am really enjoying Bill Cunninghams Memoir. He was such a fashion ledge and a great street photographer. I miss his fashion observations that appeared in the NY Times. What a legend! I would highly recommend this to anyone who was a Bill fan!
Bill Cunningham was an excellent photographer with a wise eye for catching the shot. I will always miss his work. Had now idea of his fashion background. What an amazing determination and success. The title certainly added to my enjoyment of a life well lived. I appreciated all the photos and the insight to a talented individual.
Losing him was tragic, but this wonderful book, written in such an authentic voice, is a beautiful insight into a singular talent. I just with there was more of it.
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